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GuardianSep 27Preview

The ‘elixir of long life’: how the elusive Chartreuse quietly became the trendiest drink around

With its garish ‘grellow’ colour, mythological origins, secret recipe and limited supplies, the herbal liqueur made by French monks is now the coolest thing to order at the bar It’s just after 9pm in drizzly Belleville, Paris. Too late for cocktails, too early for bedtime, but up the steep hill that straddles the 19th and 20th arrondissements, digestif hour is in sight.In the past few years, more and more Parisians have been reaching for a glass of Chartreuse, an intensely green/yellow herbal liqueur with a folkloric backstory involving Carthusian monks, cholera and a recipe of omertà-like secrecy. Continue reading...

Morwenna FerrierAlcoholFood & drink industry

GuardianSep 27Preview

‘I’m an everythingist’: How Es Devlin became the go-to for Beyoncé gigs, fashion runways and the Olympics

The Londoner is the set designer big names turn to for eye-popping spectacle. As a new retrospective opens, she gives the Guardian a glimpse at her studioFour years ago, the V&A East Storehouse in east London got in touch with Es Devlin. The museum’s curators wanted to invite the British artist and designer to respond to a 100-year-old theatrical backdrop by the Russian artist and designer Natalia Goncharova. For a 1926 London production of The Firebird by the Ballets Russes, Goncharova had painted a fortified Muscovite cityscape festooned with onion domes and spires, rust-red and golden against a deep-blue sky. Devlin didn’t know much about Goncharova. But alighting on the term she had favoured for describing her kaleidoscopic approach to art-making, Devlin realised she’d found a kindred spirit. “She called herself an ‘everythingist’,” Devlin says, a smile in her eyes.Works in progr

Dale Berning Sawa; photographs by Kate PetersEs DevlinStage

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