News Atlas — live world news feed

Live world news feed — headlines and images as they publish

Live headlines from top outlets — open a card for a preview, then read on the publisher’s site.

16 stories · Live feed

GuardianSep 25Preview

‘My generation of novelists is dying’: Rose Tremain on 70 years of writing, and late-life inspiration

As her latest novel about Daphne du Maurier is published, the bestselling author reflects on age and creativity – and why at 83 she has no plans to stop My generation of writers is dying. Of Granta’s fabled list of 20 Best of Young British Novelists, 1983, six are gone, including our most princely satirist, Martin Amis. We’re all approaching birthdays where the cake is too small for the candles. Some of us are wounded: Salman Rushdie by an attacker’s knife, Julian Barnes lives with blood cancer, others with the fatal hurt of being forgotten.But what’s the likely fate of those of us who are surviving – for now? Do readers still love us? When Barnes announced that he was signing off because of illness, was he also intuiting that the younger generations had heard enough from us old birds and geezers who were young when Sean Connery had dimples, when David Hockney first coloured his hair yel

Rose TremainBooksRose Tremain

GuardianSep 25Preview

Can’t Get You Out of My Head by Michael Cragg review – what’s the secret of Kylie’s genius?

The pop star emerges as a great unifier in this in-depth yet heartfelt portrait of an Aussie icon‘There’s an anxiety in declaring oneself a Kylie fan,” wrote the late San Francisco poet Kevin Killian (who nonetheless once published an entire collection devoted to the singer). Despite her remarkable longevity, with record-breaking chart success across five decades, Kylie’s place in the pop firmament has often felt more precarious than that of other artists, perhaps because of her past as a soap star, and the schmaltz of some of her early material with Stock Aitken Waterman.But she has always displayed a canny self-awareness, alongside a willingness to push the envelope. It’s evident in her knowing rendition of I Should Be So Lucky as a bad poem at the Royal Albert Hall in 1996, and her many collaborations with experimental dance producers. Then there’s her instinct for giving fans what th

Jack ParlettPop and rockBooks

You’re caught up for now.