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7 stories · Live feed

GuardianSep 27Preview

Poland is racing ahead with military spending – but will it help or damage its economic growth story?

In the first article in a series on the Polish economy, we look at the country’s defence boom and its implicationsA short distance north from Warsaw along the Vistula river, camouflaged missile launchers roll through the quiet village of Czosnów.As recently as two years ago, their destination – a hi-tech weapons facility opened this month – had been a cornfield. Now, as Poland drives up defence investment at one of the fastest rates in the developed world, this rural spot has been transformed amid Europe’s response to Russian aggression and US disengagement. Continue reading...

Richard Partington in WarsawPolandEconomics

GuardianSep 26Preview

We followed five people in Gaza from dawn to dusk – this is what the headlines don’t tell us

Behind the stories of bombings and mass deaths, the everyday challenges facing Palestinians living under siege portray a quieter tragedy we rarely hear What does it take to make a morning cup of tea in Gaza?For Alaa Hessi, in her final month of pregnancy, this small ritual begins with a calculation of gas rations. Her family gets a ration of 6kg of gas every three months – enough to heat a pot for 18 precious minutes a day. That’s needed for cooking – so for tea, a fire must be built instead. Continue reading...

Tess McClureGlobal developmentIsrael-Gaza war

GuardianSep 25Preview

Can’t Get You Out of My Head by Michael Cragg review – what’s the secret of Kylie’s genius?

The pop star emerges as a great unifier in this in-depth yet heartfelt portrait of an Aussie icon‘There’s an anxiety in declaring oneself a Kylie fan,” wrote the late San Francisco poet Kevin Killian (who nonetheless once published an entire collection devoted to the singer). Despite her remarkable longevity, with record-breaking chart success across five decades, Kylie’s place in the pop firmament has often felt more precarious than that of other artists, perhaps because of her past as a soap star, and the schmaltz of some of her early material with Stock Aitken Waterman.But she has always displayed a canny self-awareness, alongside a willingness to push the envelope. It’s evident in her knowing rendition of I Should Be So Lucky as a bad poem at the Royal Albert Hall in 1996, and her many collaborations with experimental dance producers. Then there’s her instinct for giving fans what th

Jack ParlettPop and rockBooks

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