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GuardianOct 11Preview

‘Enough of this suffering!’ Joana Vasconcelos on why she is fed up with women’s art defined by pain

The Portuguese artist is famous for her monumental ceramic wedding cakes and gigantic chandeliers made of tampons. So why is a new show in Lisbon pairing her with Valentino’s size-zero catwalk dresses?To interview the Portuguese artist Joana Vasconcelos is to jump on to a moving train. She is telling me why she uses needlework to make huge things: 15-metre doilies, say, or a tree 13.5 metres tall rustling with 150,000 hand-sewn leaves. “One day, I said to myself,” she says, “why not bring domestic detail into monumental sculpture? What do we know of works like this? OK, there’s Louise Bourgeois. But it wasn’t enormous. She worked in detail but on small things. There’s the beauty of Niki de Saint Phalle. But it’s always papier mache – a technique that’s very simple, very practical, but not chic.”It takes a certain something to compare yourself to these two French giantesses of art. It tak

Dale Berning SawaArt and designExhibitions

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